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BAUHAUS | |
And it soon became apparent that the four Duke Electors of the Bauhaus corporate empire wished to be more six than onlookers on the new scene of struggle. With the determination and steadfastness that only generations X of military discipline could produce, the Bauhaus management staked their claims on the planet in Cardinal Toth's visions the sacred planet of Venus. What Capitol's Pioneers had once done on Mars, the Bauhaus Home builders did on Venus by clearing the mighty jungles, where they established the stronghold of Heimburg, as proof of Bauhaus' ambition to carry the epithet of megacorporations. In the light of their new position, the Bauhaus smithies began to produce quality none had seen in long ages. Everywhere the products carrying the symbol of the twelve-cogged wheel, the symbol of the four Duke Electors and their advisors, became the icon for a new thinking, a bold philosophy. The Bauhaus mark of quality became unquestioned wherever it appeared and the strategy of providing the worlds of man with the best goods available became inherent. But even into the honorable and undefiled nobility of Bauhaus the Darkness managed to intrude. The power of our Inquisitors was more and more requested, and in the sacred jungles of Venus our combined forces clashed mightily against the dark intruders from Nero, and so do they still in this never-ending war of grief and suffering.
The Eighth Chronicle, The Megacorporations and the Cartel
/Lucretfi Marcellianus
